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my web3 era: from wtf to wagmi

field notes from a SheFi scholar, web3 brainrot, token-gated communities, and why I can't stop thinking about digital ownership

In this week’s issue:

oh heeey.

gm and damn—you just opened up issue seven. Thanks. 🫨

OK so I never thought I'd be the person going full crypto. Well I guess not never, I just didn’t really think about it as a path I’d take. But last November, I pulled a classic “listens to one podcast on crypto and immediately starts investing” move. It was a small amount and I don’t recommend the podcast-to-crypto pipeline per se, but, it set me down that path I didn’t think I’d ever really take. After promising my husband that I would pump the breaks on any further (highly uninformed) crypto investments, I started listening to more podcasts and doing some research.

Within ten days of hearing said podcast, I was introduced to Sam Marin (head of social @ Scrib3). We met up for some coffee and crypto talk. She was gracious, I was gushing. Sam cracked open my web3 world that much more *heart hands to Sam*, introducing me to books, programs, and beyond. It’s been fsa ever since.

Now, I’m three weeks into being a SheFi scholar (Remember that women’s Web3/crypto/AI program I mentioned a few issues back?). I’ve spent hours consuming Camila Russo's The Infinite Machine (a book about the history of Ethereum). I’m currently working through Chris Dixon’s Read, Write, Own (link in the Bible below) and an unhealthy number of articles, all while listening and lol’ing my way through the entire Boys Club backlog. And tbvh I've gone from skeptical lurker to someone who now casually drops thoughts on the foundational ethos of blockchain and/or why web3 or bust is a most excellent anthem into convos like it’s totally normal to do so. Very diyfs education happening over here, very mindful, very on brand. Lfg.

Little Girl Reaction GIF

What to Expect from Babe (the unexpected, obvs)

Every Tuesday, at whatever time the data says is the best time, you’ll find Babe in your inbox. Each issue will look something like the one you’re reading now, only different. To keep things classy and somewhat organized, it will almost always include the following four elements. It will for sure serve.

Touch Grass: A deep dive wherein I analyze tech/art/society through a lens that'll make you question everything. Or at least wonder wtf I’m talking about.

It's Giving: A short list of hot takes and pattern recognitions for the culturally curious and spiritually aligned.

Still downloading: Where I run a buffer test with humans ahead of their time (or very much of the times, but never quite behind them).

Bible: A curated menu of internet gold that you absolutely need in your life, trust.

Touch Grass: Field Notes from SheFi + A Crypto Conversion Story

Scene: week three of eight of SheFi classes have come and gone (Maggie & team, you’re the shit). I'm getting up at 6:15am 2x a week to attend in person (live just hits different you know). I have some crypto skin in the game. I’ve minted some NFTs and have a slightly firmer grasp on layer2 solutions, DeFi, and dApps, and am finally starting to understand what people mean by "gas fees.” I'm diligently taking notes on the difference between CEXs and DEXs. I've got my first non-custodial wallet. I'm deep in it.

6:30am SheFi zoom rooms ftw

And… something is happening. You know, the kind of happening that happens when the light starts to say hey, I’m just right here—see me yet? And then whatever it is you’ve been wading and trying and learning through (in this case web3) stops being so abstract, or at least less so, and starts feeling like a portal to a different reality.

A reality where, in this case, the internet doesn't have to be this extractive hellscape where we trade our attention and personal data for access to cat videos and discourse. A reality where creation, ownership, and community might actually align in ways that don't make you want to barf on yr keyboard before setting it afire and smashing it in an open field, Office Space style.

office space nothing to see here motherfucker GIF

yes.

Throughout all the reading and the podcast binging, I’ve come across examples of artists using NFTs not just as digital assets but as access tokens to build communities around their work. They're creating token-gated classes, special events, and collaborative projects where the price of admission is owning one of their pieces. 🤯 The value of the art isn't just the image itself—it's everything that comes with it.

And this really kinda sets the scene for things being more about reimagining the relationship between creators and their communities. Between artists and their audiences. Between value and access.

As I continue to learn about various token models (I’m for sure at the v beginning of the curve here), I’m thinking holy shit, so many have spent years feeling vaguely exploited by web2 platforms, watching personal work get vacuumed up by corporate algorithms, all while trying to build something meaningful through newsletters, social media, and content that ultimately serves someone else's business model.

Fuck. That.

And so now Web3 suddenly feels less like tech jargon and more like a real alternative. An internet where:

  • Creators can build direct relationships with their supporters

  • Value flows to the people who create and engage, not just to platforms

  • Communities can self-organize around shared interests and values

  • Ownership of digital things actually means something

Blow Your Mind Wow GIF by Product Hunt

I'm not saying web3 solves everything (cue my typical caveat here about how nothing solves everything and anyone who says otherwise is selling you snake oil). But I am saying that, for the first time in a long time, I feel genuinely excited about the internet again. Not in a starry-eyed, techno-utopian way, but in an "oh wait this actually makes sense for how humans want to interact" kind of way.

I mean, just imagine participating in your first DAO (decentralized autonomous organization) vote—even if it's something small, like deciding on a community artwork project. I have yet to vote in a DAO, but I wonder if it wouldn’t feel strangely significant compared to our usual online interactions. Instead of just liking a post or leaving a comment that disappears into the void, you'd be making a small but permanent mark on a collective decision. Kinda like the digital version of showing up to a local community meeting that’s actually a global community meeting. Fucking cool.

There's something about the permanence and the proof-of-participation that feels fundamentally different from the usual social media engagement. It's not just about clout or likes—it's about contribution and co-creation. It’s the long view/game, not the short.

Beyond DAOs, there's also DeFi (decentralized finance) unlocking financial tools without gatekeepers, NFTs creating new ownership models for digital art and experiences, and token economics that could reshape how we incentivize cooperation online. It's all these possibilities stacked together that make this space feel electric—not just one innovation, but the whole ecosystem of potential.

Web3 isn't a utopia (nothing is), and these are potential differences if we build it right. There's plenty of ways this could all go sideways, but at least the blueprint is interesting.

Of course, web3 still has its share of problems. The environmental impact (though that's “getting better” with new consensus mechanisms). The technical barriers to entry (try explaining gas fees to your 80-year old dad). The occasional scams and rug pulls. The jargon that makes tech bros feel like gatekeeping wizards. I'm not ignoring these issues—in fact, if I think about it, they're maybe part of why I originally kept my distance.

I love this. It’s from Chris Dixon’s “Read, Write, Own” and it gets at what I’m getting at: it all comes down to how you use the tool.

But reading and listening and consuming and being in SheFi has shown me that these aren't inherent problems with the concept—they're growing pains. And more importantly, they're being addressed by people who give a shit about making this space more accessible, more diverse, and more aligned with human values rather than just profit.

So—is it perfect? Fuck no. Is it interesting? Absolutely. And as someone who's spent most of her time in life trying to carve out spaces for thought and creativity in an increasingly corporate digital and irl landscape, that's enough to make me pay attention.

So here I am, on week four of SheFi, falling headfirst into the web3 rabbit hole. Send help. Or better yet, send NFTs.

It's Giving: Token-Gated Energeee

Still Downloading: We Interrupt Our Regularly Scheduled Programming to Bring You… 

  1. Shit my brother sends me (actual text message from actual brother who actually builds things):

  1. My husband’s “college guys” text thread (fifteen members deep) is full of kind, thoughtful, funny, smart men—yes such a thing does exist. Every week they post a chat ranking of who’s… winning the chat I guess, based on who tf knows what and it’s adorable. Here’s a screenshot of last week’s ranking. If anyone wants to place crypto bets on next week’s, lmk.

Bible: Bookmark These Bad Boys

Bonus Palate Cleanser: Feral File & the Digital Canvas

Let's end with Feral File, a platform creating new possibilities for digital artists. Founded by artist Casey REAS, it approaches NFTs with a refreshing focus on curation and artistic merit rather than speculation.

What makes Feral File interesting isn't just the art—it's how they've thought about the collector experience. Each exhibition comes with a custom viewing platform designed specifically for that collection, turning the act of viewing digital art into something more thoughtful than scrolling through a marketplace.

(psst: if you click each of these pieces of art, you’ll land on the dynamic one - v cool)

Senbaku, With you (2024) #3

Misaki Nakano, Nostalgia (2024) #1

Saeko Ehara, Synergistic Metropolis (2024) #1

They're also experimenting with editions and pricing models that make digital art collecting more accessible. Instead of one-of-one pieces selling for astronomical sums, many works are released in larger editions at more approachable price points.

It's a cool example of how web3 tech can enable new creative and economic models when thoughtfully applied by people who understand both the technology and the culture they're building for.

Aleksandra Jovanić, The Space in Between (2023) #3

Well, that's it for issue seven of Babe. I've officially become someone who writes about crypto without irony, who stays up til 2am reading about Ethereum's early days, and who's considering naming her firstborn Satoshi. Just kidding—I’m not having kids.

Thanks for reading, sharing (you will share this, right?), and being part of this whole experiment wherein I continue to publicly document my journey from "what the fuck is this?" to "what the fuck, this is amazing."

Until next week, nerds.

xoxo,

lw

PS: Subscribe now if you want in on this arithmetic. Miss the last issue? It’s right here.

Next week in Babe: Fab fashion frontiers, my first NFT purchase (maybe?), and an exploration of creative DAOs that may or may not actually work.